|
What the critics say
The image of the Victorian lady's gentle pastime is replaced with dynamic, vibrant use of colour
and brushstrokes. Lowrey's confident use of colour and energetic brushwork is laid bare by the accompanying set
of handy hints and personal tips, suggesting that elemental scenes are not beyond the reach of aspiring watercolourists.
The Artist and Illustrators Magazine
In Sea and Sky in Watercolour, Arnold Lowrey's paintings show a lot of feeling and vigour and also proof, if ever
proof were needed, that watercolour can be as bold and expressive a medium as any other. This book is surprisingly
comprehensive: it covers all the basics relating to materials, colour mixing and techniques and it has some good,
specific advice on how to tackle the difficult, transient subjects of skies and seas. Arnold's demonstration paintings
of the Gower coast, reflections in the sand and rough seas are really explicit and helpful and he includes a good
selection of other paintings to help us create atmosphere and energy in our seascapes. (Robin Capon)
The Leisure Painter Magazine
Sea and Sky In Watercolour, with Arnold Lowrey (Teaching Art, 56 mins).
The transient nature of the sea and sky is always a difficult quality to capture, but the problems are less daunting
if we look for big shapes and aim to work with fluency and freedom.
Arnold Lowrey has plenty of advice and useful tips to offer in this respect and his video should prove extremely
. helpful - not only to those artists wanting to improve their approach to seascapes but aIso to anyone striving
to paint in a more loose, bold way.
Here is an artist who mostly works with large flat wash brushes, and it is fascinating to watch as he manipulates
these in various ways to create an exciting range of effects, from soft, diffused washes to strong strokes and
textures.
Additionally, he shows how to soften edges with a sponge, lift out colour with a
razor blade, and produce many other surface qualities and effects that are ideal for conveying rocks, crashing
waves and the different moods of the sky. There are two main studio demonstrations plus reference to a wide selection
of other paintings.
The Artist (December 2002)
|